History Of Rap And Hip Hop Music

History Of Rap And Hip Hop Music

The origin of hip-hop will be traced back so far as the ancient tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes carried out before wars, the births of infants, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It was born as we know it immediately within the Bronx, cradled and nurtured by the youth within the low-revenue areas of New York City.

Quick-forward from the tribes of Africa to the ghettos of Kingston, Jamaica in the late sixties. The impoverished of Kingston gathered collectively in groups to type DJ conglomerates. They spun roots and culture records and communicated with the audience over the music. On the time, the DJ's comments weren't as necessary because the quality of the sound system and its ability to get the group moving. Kool Herc grew up in this community before he moved to the Bronx.

During the late sixties, reggae wasn't in style with New Yorkers. As a DJ, Kool Herc spun rhythm and blues records to please his party crowd. However, he had to add his personal touch. Through the breaks, Herc started to speak to his audience as he had discovered to do in Jamaica. He called out, the audience responded, after which he pumped the amount back up on the record. This call and response method was nothing new to this community who'd been reared in Baptist and Methodist church buildings where call and response was a method used by the speakers to get the congregation involved. Historians compare it to the call and response carried out by Jazz musicians and was very much a part of the culture of Jazz music in the course of the renaissance in Harlem.

Herc's DJ fashion caught on. His party's grew in in styleity. He began to buy a number of copies of the same albums. When he carried out his duties as a DJ, he extended the breaks through the use of a number of copies of the identical records. He chatted, as it is called in dance corridor, with his audience for longer and longer periods.

Others copied Herc's style. Soon a pleasant battle ensued between New York DJs. All of them discovered the strategy of using break beats. Herc stepped up the game by giving shout-outs to individuals who have been in attendance on the parties and developing with his signature call and response. Other DJs responded by rhyming with their words when they spoke to the audience. More and more DJs used and 4 line rhymes and anecdotes to get their audiences concerned and hyped at these parties.

One day, Herc passed the microphone over to two of his friends. He took care of the turn table and allowed his buddies to keep the group hyped with chants, rhymes and anecdotes while he prolonged the breaks of various songs indefinitely. This was the delivery of rap as we know it.

Hip-hop has developed from the days of the basement showdowns to big business in the music industry. In the seventies and eighties, the pioneers and innovators of the rap record was the DJ. He was the man who used his turntable to create contemporary sounds with old records. Then, he turned the man who blended these acquainted breaks with synthesizers to produce utterly new beats. Not much has modified in that side of hip-hop. The man who creates the beat is still the heart of the track. Now, we call him the producer. Although some DJs work as producers as well as DJs (quite a few start out as DJs before they develop into producers), at the moment's title "DJ" does not carry the identical connotative meaning it did within the eighties. Today's hip-hop producer performs the same tasks because the eighty's DJ.

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